This is great served over rice with a side of Stewed Black Beans (page 230) or served over boiled fettuccine.
INGREDIENTS | SERVES 1
1 tablespoon butter
1 tablespoon olive oil
¼ cup sliced mushrooms
1 green onion, thinly sliced
Dash salt
1 small tomato, cored and diced
1 garlic clove, minced
Juice from 1 lemon
2 tablespoons dry white wine or vermouth
¼ pound medium shrimp, shelled and deveined
¼ teaspoon Old Bay seasoning
Place a small skillet over medium heat. Once it is heated, add the butter and olive oil. Add the mushrooms, green onion, and a dash of salt. Cook for 4–5 minutes.
Stir in the tomato and garlic and cook for 3–4 minutes, or until the garlic smells fragrant and the tomato is starting to break down. Stir in the lemon juice. Cook for 1 minute.
Stir in the wine, the shrimp, and the Old Bay. Cook for 3–5 minutes, or until the shrimp turns pink. Serve while warm.
"Something that we often forget is that we all play a role in the creation of the pain we experience, even if someone else is involved. We don't recognize that we volunteer for that pain. We show up for it. We tolerate it. Once we acknowledge our own contribution, the healing can begin. Here's a four-step plan that can help you stop nurturing the very things that hurt you"
Jennifer Hudson stole the show at a Fashion's Night Out event in Tokyo, Japan, where she donned a body hugging leopard print dress. Jennifer showed off her svelte new figure in the dress, which was cinched at the waist and paired with satin black pumps.
The sultry singer/actress proudly stood next to designer Michael Kors at the opening of his new Tokyo store. Vogue editor-in-chief Anna Wintour was also in attendance
Heidi Klum takes her daughters Leni, 7, and LOU, 2, out for a day on the town in Brentwood, California. Look at the man in the background facial expression. COMEDY! please leave a comment!
Over the course of the past week, "X Factor" hopeful Stacy Francis, the 42-year-old single mom with a dream and a pair of easily activated tearducts, practically went from being America's sweetheart to America's most hated, when her professional past was "outed" by anti-fan site Vote For The Worst, and later by Radar Online and Perez Hilton. (The latter blogger called her a "fraud" and seemed to harbor a personal vendetta against her, after a Twitter feud between them escalated when Adam Lambert jumped to Stacy's defense.) Of course, none of these gossippy sites actually exposed anything than couldn't be uncovered via a regular query on YouTube, Wikipedia, or IMDB. But the inflammatory articles still elicited public outrage that could now possibly thwart the former frontrunner's chances, as the "X Factor" live voting begins this week.
Yes, Stacy was a member of the '90s R&B girl group Ex-Girlfriend, who were signed to Reprise by Mariah Carey manager Benny Medina and produced by R. Kelly. Yes, she has performed with Whitney Houston, Madonna, and Prince. Yes, she has starred in Broadway and West End musicals. And yes, in 2004 she was hired to perform at Tom Cruise's birthday party. But how, exactly, does this differentiate her from her seasoned "X Factor" castmate LeRoy Bell, who used to write songs for the Spinners, the O'Jays, the Temptations, and Elton John, some of which made the Billboard charts; who was once nominated for a Grammy; and who's performed with the likes of B.B. King, Van Morrison, Sheryl Crow, Etta James, Al Green, Erykah Badu, LeAnn Rimes, and Idina Menzel? How does this make Stacy different from her open admirer Adam Lambert, who starred in The Ten Commandments with Val Kilmer before "American Idol," or from "The Voice's" winner Javier Colon and runner-up Dia Frampton, both of whom had previous major-label deals?
The issue, of course, is transparency--for which "The X Factor's" producers and editors are likely more to blame than Stacy herself. Come on, there is NO reason to assume that "The X Factor" powers-that-be were entirely unaware of Stacy's past professional endeavors; even if she had failed to mention her credentials, or even intentionally lied about them, any cursory background check would have quickly brought up all those YouTube videos, Last.fm and MySpace bio pages, BroadwayWorld.com articles, etc. But of course, splicing together the juicier, more emotional tidbits from Stacy's "X Factor" interviews--to paint her out to be a struggling mother, domestic abuse victim, and keeper of deferred dreams--made for better television than depicting her as just another Melinda Doolittle type, just another industry pro hoping to take her career to the next level after years of steady C-list work.
It's no wonder that viewers feel duped, but really, this is not unlike how the producers of "The Voice" initially chose to focus on Javier's family-man background and Dia's side career as an author of children's books, while overlooking those contestants' respective tenures with Capitol and Warner Bros. Records. Or how "American Idol" depicted Season 7's Carly Smithson as an Irish immigrant with visa issues and Kristy Lee Cook as a farmgirl who sold her horse to raise the funds to travel to her audition, while conveniently failing to mention that both girls had past ties to "Idol"-affiliated record labels.
Most of the reality contestants mentioned above emerged from their "scandals" relatively unscathed--in the case of "The Voice" specifically, that was probably because that show never overtly claimed that its contestants were total unknowns who'd queued up for hours in rainy parking lots to attend open auditions. But Carly, whose situation was the closest to what Stacy is going through now, definitely suffered from what appeared to be deliberate deception, or at least an egregious sin of factual omission. As a teenager under the name Carly Hennessy, she had been signed to MCA Records when Randy Jackson actually still worked there; when this came out mid-season, disgruntled "Idol" viewers actually rallied for her disqualification, and Carly eventually stalled in sixth place despite being an early favorite. I will freely admit that at the time, I wrote quite angrily about what seemed to be a great reality-TV injustice. But looking back, I now sheepishly wonder: Was this backlash Carly's fault? Did she deliberately portray herself as a newbie when she was anything but, or was that "Idol's" doing? And if Carly had been honestly portrayed as a showbiz second-chancer who'd fallen on tough times and needed a career reboot, would she have fared better on the show? These are the same kinds of questions being asked about Stacy Francis and "The X Factor" now.
Stacy Francis - Kills Prince's Purple Rain" at The X Factor USA Judges Houses 2011
The bottom line is, it's a bit of a stretch to say that Stacy is someone who has "already made it." While she has definitely made industry inroads and had some career breaks that many aspiring singers only dream about, I had never heard of her before she auditioned for "The X Factor," and neither had probably 99.9 percent of the American TV-viewing public. And I have no reason to believe she wasn't still struggling or living in a modest one-bedroom apartment, as she has claimed; as a longtime L.A. resident, I can assure you that this industry town is filled with many Hollywood bit players who, despite walk-on sitcom roles or famous friends or impressively lengthy CVs, still hold day jobs or have trouble paying their bills. Really, Stacy is just another under-the-radar talent who has come close, but not quite close enough, to her superstardom goal. As she put it in a backstage interview I conducted with her last week: "If I was Janet Jackson, I wouldn't be here. There's a reason why I'm here."
So, what do you think? Was Stacy deceptive about her past, or are producers and selective editors to blame here? Should shows like "The X Factor" be more transparent about contestants' backgrounds in general, to avoid such backlashes, or--here's a thought--do you think these series' producers secretly (or maybe not-so-secretly) relish the free publicity that such scandals generate?
I personally think Stacy should be given the same chance, and the same benefit of the doubt, as any less-experienced "X Factor" contestant, and let her talent do the talking (or the singing, as it were). If there's a real reason why all those years of slogging away in the Hollywood trenches never got her very far, that'll soon become all too clear on future "X Factor" episodes. But until then, let's all back off.~ PDT by Lyndsey Parker(reality rocks)
Monday, October 31, 2011
Aisha Sekhmet is a hip hop artist from Louisiana. With a resilient spirit and a passion for mental liberation in the African-American community, she has embarked on a mission to "Wake Up The Hood." With a raw, assertive flow and an uncompromising approach to deliver truth, Aisha Sekhmet became known to many in the hip hop world with her single "You The Whiteman's Bitch." It showcased her skill at making 21st century oppression appear clear to any young person unaware of the matrix of white supremacy that still exists. Listening to many of her songs like "Everybody's Gay" and "Age of the Bitch Nigga", one can perceive that Aisha is just a bitter black female who was taken her anger out on her male counterparts and the white man who is responsible for our misfortunes. But any intelligent minded individual who has experienced Black Hollywood, the music underground, and the overlooked racism and exploitation in the quest of money, status, and fame, knows Miss Sekhmet is telling the undiluted truth. She is fierce, she is raw talent, she is fearless in speaking truth to power and the uninformed masses who don't know what truth is.
"The Answer" available online only @ ITUNES OR CDBABY.COM
"Did I colonize myself, destroy my institutions, enslave myself, use and neglect myself, steal my identity, & then being reduced to nothing, invent a competitive economy knowing I cant compete? I blame the capitalistic dog, the imperialistic, cave dwelling brute that kidnapped us, pulled the rug from under us, made us a caste in his society with no vertical economic mobility." --George Jackson, Soledad Brother~--George Jackson, Soledad Brother
